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Self Portraits With Polka Dots
Birchfield Penney - Retrospective Exhibition Digital archival photographs, 30 x 20 in. ea.
"I'm All Over The Place"
Birchfield Penney - Retrospective Exhibition Charcoal on Arches Rives Diptych 84 x 45 in. each
The Package Project
Next Performance: September 13, 2024 5:30 - 8:00 PM Burchfield Penney Art Center, Buffalo, NY
Self Portraits With Polka Dots
Birchfield Penney - Retrospective Exhibition Digital archival photographs, 30 x 20 in. ea.
1/12
Current Exhibitions
REMEMBER ME, Solo exhibition at Burchfield Penney Museum
"Sleepwalk" detail
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
FEMALE FIGURATIVELY, Seven international women artists at OMSA Gallery
Image: Visiting Manet's Beach
OMSA Gallery
Featuring the work of 7 international women artists
15661 Sheridan St.
Fort Lauderdale, FL
"The show includes brand new and recent works by Sofia Balut Paéz, Marina Font, Heidi Lanino, Amy Laskin, Veronica Pasman, Julia Rivera and Patricia Schnall Gutierrez in what is a poignant and shared narrative, a herstory that speaks to all of us on the ways that are uniquely female. Something in each of their oeuvre that is a peaceful resilience, a loving out loud, a silent certitude of who they are in their own skin. There are tones that reference classical Greco-Roman notion of beauty and gradually deconstructs into a contemporary vernacular." Miami Living
OMSA Gallery
Featuring the work of 7 international women artists
15661 Sheridan St.
Fort Lauderdale, FL
"The show includes brand new and recent works by Sofia Balut Paéz, Marina Font, Heidi Lanino, Amy Laskin, Veronica Pasman, Julia Rivera and Patricia Schnall Gutierrez in what is a poignant and shared narrative, a herstory that speaks to all of us on the ways that are uniquely female. Something in each of their oeuvre that is a peaceful resilience, a loving out loud, a silent certitude of who they are in their own skin. There are tones that reference classical Greco-Roman notion of beauty and gradually deconstructs into a contemporary vernacular." Miami Living
DRAWING AND PAINTING, Solo exhibition at Blackship Gallery
Image: In-flight Highlighting work for Miami Art Week at Black Ship Gallery, 853 NE 79th St. Miami, FL
Capturing the essence of being female though the prism of intrigue and humor, Schnall Gutierrez offers a fresh perspective on the narratives that shape women's lives. Her paintings and drawings in this exhibition exemplify her feminine-based approach to viewing and describing the world.
Capturing the essence of being female though the prism of intrigue and humor, Schnall Gutierrez offers a fresh perspective on the narratives that shape women's lives. Her paintings and drawings in this exhibition exemplify her feminine-based approach to viewing and describing the world.
LOVE ME NOW, Solo exhibition at Aldo Castillo Gallery
Image: Dress Her in Pink
Solo Exhibition inspired by couture fashion at the Aldo Castillo Gallery
10800 Corkscrew Rd.
Suite 195, Estero, FL
Patricia Schnall Gutierrez's solo exhibition "Love Me Now - Couture in Art" is about women's attire with an emphasis on haute couture. The show includes drawings and figurative paintings. On display, there are two large collage portrait drawings with actual clothing incorporated into the works. Schnall Gutierrez's charcoal drawings feature large iconic female dresses, while her oil paintings reflect on fashion houses and season collections. Her oil paintings, entirely abstract and without a hint of the female figure, bring fashion to a conceptual level.
Solo Exhibition inspired by couture fashion at the Aldo Castillo Gallery
10800 Corkscrew Rd.
Suite 195, Estero, FL
Patricia Schnall Gutierrez's solo exhibition "Love Me Now - Couture in Art" is about women's attire with an emphasis on haute couture. The show includes drawings and figurative paintings. On display, there are two large collage portrait drawings with actual clothing incorporated into the works. Schnall Gutierrez's charcoal drawings feature large iconic female dresses, while her oil paintings reflect on fashion houses and season collections. Her oil paintings, entirely abstract and without a hint of the female figure, bring fashion to a conceptual level.
SEE MORE
Image: Blue, an RPM Project
REMEMBER ME, Solo exhibition at Burchfield Penney Museum
"Sleepwalk" detail
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
FEMALE FIGURATIVELY, Seven international women artists at OMSA Gallery
Image: Visiting Manet's Beach
OMSA Gallery
Featuring the work of 7 international women artists
15661 Sheridan St.
Fort Lauderdale, FL
"The show includes brand new and recent works by Sofia Balut Paéz, Marina Font, Heidi Lanino, Amy Laskin, Veronica Pasman, Julia Rivera and Patricia Schnall Gutierrez in what is a poignant and shared narrative, a herstory that speaks to all of us on the ways that are uniquely female. Something in each of their oeuvre that is a peaceful resilience, a loving out loud, a silent certitude of who they are in their own skin. There are tones that reference classical Greco-Roman notion of beauty and gradually deconstructs into a contemporary vernacular." Miami Living
OMSA Gallery
Featuring the work of 7 international women artists
15661 Sheridan St.
Fort Lauderdale, FL
"The show includes brand new and recent works by Sofia Balut Paéz, Marina Font, Heidi Lanino, Amy Laskin, Veronica Pasman, Julia Rivera and Patricia Schnall Gutierrez in what is a poignant and shared narrative, a herstory that speaks to all of us on the ways that are uniquely female. Something in each of their oeuvre that is a peaceful resilience, a loving out loud, a silent certitude of who they are in their own skin. There are tones that reference classical Greco-Roman notion of beauty and gradually deconstructs into a contemporary vernacular." Miami Living
DRAWING AND PAINTING, Solo exhibition at Blackship Gallery
Image: In-flight Highlighting work for Miami Art Week at Black Ship Gallery, 853 NE 79th St. Miami, FL
Capturing the essence of being female though the prism of intrigue and humor, Schnall Gutierrez offers a fresh perspective on the narratives that shape women's lives. Her paintings and drawings in this exhibition exemplify her feminine-based approach to viewing and describing the world.
Capturing the essence of being female though the prism of intrigue and humor, Schnall Gutierrez offers a fresh perspective on the narratives that shape women's lives. Her paintings and drawings in this exhibition exemplify her feminine-based approach to viewing and describing the world.
LOVE ME NOW, Solo exhibition at Aldo Castillo Gallery
Image: Dress Her in Pink
Solo Exhibition inspired by couture fashion at the Aldo Castillo Gallery
10800 Corkscrew Rd.
Suite 195, Estero, FL
Patricia Schnall Gutierrez's solo exhibition "Love Me Now - Couture in Art" is about women's attire with an emphasis on haute couture. The show includes drawings and figurative paintings. On display, there are two large collage portrait drawings with actual clothing incorporated into the works. Schnall Gutierrez's charcoal drawings feature large iconic female dresses, while her oil paintings reflect on fashion houses and season collections. Her oil paintings, entirely abstract and without a hint of the female figure, bring fashion to a conceptual level.
Solo Exhibition inspired by couture fashion at the Aldo Castillo Gallery
10800 Corkscrew Rd.
Suite 195, Estero, FL
Patricia Schnall Gutierrez's solo exhibition "Love Me Now - Couture in Art" is about women's attire with an emphasis on haute couture. The show includes drawings and figurative paintings. On display, there are two large collage portrait drawings with actual clothing incorporated into the works. Schnall Gutierrez's charcoal drawings feature large iconic female dresses, while her oil paintings reflect on fashion houses and season collections. Her oil paintings, entirely abstract and without a hint of the female figure, bring fashion to a conceptual level.
SEE MORE
Image: Blue, an RPM Project
REMEMBER ME, Solo exhibition at Burchfield Penney Museum
"Sleepwalk" detail
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
FEMALE FIGURATIVELY, Seven international women artists at OMSA Gallery
Image: Visiting Manet's Beach
OMSA Gallery
Featuring the work of 7 international women artists
15661 Sheridan St.
Fort Lauderdale, FL
"The show includes brand new and recent works by Sofia Balut Paéz, Marina Font, Heidi Lanino, Amy Laskin, Veronica Pasman, Julia Rivera and Patricia Schnall Gutierrez in what is a poignant and shared narrative, a herstory that speaks to all of us on the ways that are uniquely female. Something in each of their oeuvre that is a peaceful resilience, a loving out loud, a silent certitude of who they are in their own skin. There are tones that reference classical Greco-Roman notion of beauty and gradually deconstructs into a contemporary vernacular." Miami Living
OMSA Gallery
Featuring the work of 7 international women artists
15661 Sheridan St.
Fort Lauderdale, FL
"The show includes brand new and recent works by Sofia Balut Paéz, Marina Font, Heidi Lanino, Amy Laskin, Veronica Pasman, Julia Rivera and Patricia Schnall Gutierrez in what is a poignant and shared narrative, a herstory that speaks to all of us on the ways that are uniquely female. Something in each of their oeuvre that is a peaceful resilience, a loving out loud, a silent certitude of who they are in their own skin. There are tones that reference classical Greco-Roman notion of beauty and gradually deconstructs into a contemporary vernacular." Miami Living
DRAWING AND PAINTING, Solo exhibition at Blackship Gallery
Image: In-flight Highlighting work for Miami Art Week at Black Ship Gallery, 853 NE 79th St. Miami, FL
Capturing the essence of being female though the prism of intrigue and humor, Schnall Gutierrez offers a fresh perspective on the narratives that shape women's lives. Her paintings and drawings in this exhibition exemplify her feminine-based approach to viewing and describing the world.
Capturing the essence of being female though the prism of intrigue and humor, Schnall Gutierrez offers a fresh perspective on the narratives that shape women's lives. Her paintings and drawings in this exhibition exemplify her feminine-based approach to viewing and describing the world.
LOVE ME NOW, Solo exhibition at Aldo Castillo Gallery
Image: Dress Her in Pink
Solo Exhibition inspired by couture fashion at the Aldo Castillo Gallery
10800 Corkscrew Rd.
Suite 195, Estero, FL
Patricia Schnall Gutierrez's solo exhibition "Love Me Now - Couture in Art" is about women's attire with an emphasis on haute couture. The show includes drawings and figurative paintings. On display, there are two large collage portrait drawings with actual clothing incorporated into the works. Schnall Gutierrez's charcoal drawings feature large iconic female dresses, while her oil paintings reflect on fashion houses and season collections. Her oil paintings, entirely abstract and without a hint of the female figure, bring fashion to a conceptual level.
Solo Exhibition inspired by couture fashion at the Aldo Castillo Gallery
10800 Corkscrew Rd.
Suite 195, Estero, FL
Patricia Schnall Gutierrez's solo exhibition "Love Me Now - Couture in Art" is about women's attire with an emphasis on haute couture. The show includes drawings and figurative paintings. On display, there are two large collage portrait drawings with actual clothing incorporated into the works. Schnall Gutierrez's charcoal drawings feature large iconic female dresses, while her oil paintings reflect on fashion houses and season collections. Her oil paintings, entirely abstract and without a hint of the female figure, bring fashion to a conceptual level.
SEE MORE
Image: Blue, an RPM Project
REMEMBER ME, Solo exhibition at Burchfield Penney Museum
"Sleepwalk" detail
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
FEMALE FIGURATIVELY, Seven international women artists at OMSA Gallery
Image: Visiting Manet's Beach
OMSA Gallery
Featuring the work of 7 international women artists
15661 Sheridan St.
Fort Lauderdale, FL
"The show includes brand new and recent works by Sofia Balut Paéz, Marina Font, Heidi Lanino, Amy Laskin, Veronica Pasman, Julia Rivera and Patricia Schnall Gutierrez in what is a poignant and shared narrative, a herstory that speaks to all of us on the ways that are uniquely female. Something in each of their oeuvre that is a peaceful resilience, a loving out loud, a silent certitude of who they are in their own skin. There are tones that reference classical Greco-Roman notion of beauty and gradually deconstructs into a contemporary vernacular." Miami Living
OMSA Gallery
Featuring the work of 7 international women artists
15661 Sheridan St.
Fort Lauderdale, FL
"The show includes brand new and recent works by Sofia Balut Paéz, Marina Font, Heidi Lanino, Amy Laskin, Veronica Pasman, Julia Rivera and Patricia Schnall Gutierrez in what is a poignant and shared narrative, a herstory that speaks to all of us on the ways that are uniquely female. Something in each of their oeuvre that is a peaceful resilience, a loving out loud, a silent certitude of who they are in their own skin. There are tones that reference classical Greco-Roman notion of beauty and gradually deconstructs into a contemporary vernacular." Miami Living
DRAWING AND PAINTING, Solo exhibition at Blackship Gallery
Image: In-flight Highlighting work for Miami Art Week at Black Ship Gallery, 853 NE 79th St. Miami, FL
Capturing the essence of being female though the prism of intrigue and humor, Schnall Gutierrez offers a fresh perspective on the narratives that shape women's lives. Her paintings and drawings in this exhibition exemplify her feminine-based approach to viewing and describing the world.
Capturing the essence of being female though the prism of intrigue and humor, Schnall Gutierrez offers a fresh perspective on the narratives that shape women's lives. Her paintings and drawings in this exhibition exemplify her feminine-based approach to viewing and describing the world.
LOVE ME NOW, Solo exhibition at Aldo Castillo Gallery
Image: Dress Her in Pink
Solo Exhibition inspired by couture fashion at the Aldo Castillo Gallery
10800 Corkscrew Rd.
Suite 195, Estero, FL
Patricia Schnall Gutierrez's solo exhibition "Love Me Now - Couture in Art" is about women's attire with an emphasis on haute couture. The show includes drawings and figurative paintings. On display, there are two large collage portrait drawings with actual clothing incorporated into the works. Schnall Gutierrez's charcoal drawings feature large iconic female dresses, while her oil paintings reflect on fashion houses and season collections. Her oil paintings, entirely abstract and without a hint of the female figure, bring fashion to a conceptual level.
Solo Exhibition inspired by couture fashion at the Aldo Castillo Gallery
10800 Corkscrew Rd.
Suite 195, Estero, FL
Patricia Schnall Gutierrez's solo exhibition "Love Me Now - Couture in Art" is about women's attire with an emphasis on haute couture. The show includes drawings and figurative paintings. On display, there are two large collage portrait drawings with actual clothing incorporated into the works. Schnall Gutierrez's charcoal drawings feature large iconic female dresses, while her oil paintings reflect on fashion houses and season collections. Her oil paintings, entirely abstract and without a hint of the female figure, bring fashion to a conceptual level.
SEE MORE
Image: Blue, an RPM Project
REMEMBER ME, Solo exhibition at Burchfield Penney Museum
"Sleepwalk" detail
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
FEMALE FIGURATIVELY, Seven international women artists at OMSA Gallery
Image: Visiting Manet's Beach
OMSA Gallery
Featuring the work of 7 international women artists
15661 Sheridan St.
Fort Lauderdale, FL
"The show includes brand new and recent works by Sofia Balut Paéz, Marina Font, Heidi Lanino, Amy Laskin, Veronica Pasman, Julia Rivera and Patricia Schnall Gutierrez in what is a poignant and shared narrative, a herstory that speaks to all of us on the ways that are uniquely female. Something in each of their oeuvre that is a peaceful resilience, a loving out loud, a silent certitude of who they are in their own skin. There are tones that reference classical Greco-Roman notion of beauty and gradually deconstructs into a contemporary vernacular." Miami Living
OMSA Gallery
Featuring the work of 7 international women artists
15661 Sheridan St.
Fort Lauderdale, FL
"The show includes brand new and recent works by Sofia Balut Paéz, Marina Font, Heidi Lanino, Amy Laskin, Veronica Pasman, Julia Rivera and Patricia Schnall Gutierrez in what is a poignant and shared narrative, a herstory that speaks to all of us on the ways that are uniquely female. Something in each of their oeuvre that is a peaceful resilience, a loving out loud, a silent certitude of who they are in their own skin. There are tones that reference classical Greco-Roman notion of beauty and gradually deconstructs into a contemporary vernacular." Miami Living
DRAWING AND PAINTING, Solo exhibition at Blackship Gallery
Image: In-flight Highlighting work for Miami Art Week at Black Ship Gallery, 853 NE 79th St. Miami, FL
Capturing the essence of being female though the prism of intrigue and humor, Schnall Gutierrez offers a fresh perspective on the narratives that shape women's lives. Her paintings and drawings in this exhibition exemplify her feminine-based approach to viewing and describing the world.
Capturing the essence of being female though the prism of intrigue and humor, Schnall Gutierrez offers a fresh perspective on the narratives that shape women's lives. Her paintings and drawings in this exhibition exemplify her feminine-based approach to viewing and describing the world.
LOVE ME NOW, Solo exhibition at Aldo Castillo Gallery
Image: Dress Her in Pink
Solo Exhibition inspired by couture fashion at the Aldo Castillo Gallery
10800 Corkscrew Rd.
Suite 195, Estero, FL
Patricia Schnall Gutierrez's solo exhibition "Love Me Now - Couture in Art" is about women's attire with an emphasis on haute couture. The show includes drawings and figurative paintings. On display, there are two large collage portrait drawings with actual clothing incorporated into the works. Schnall Gutierrez's charcoal drawings feature large iconic female dresses, while her oil paintings reflect on fashion houses and season collections. Her oil paintings, entirely abstract and without a hint of the female figure, bring fashion to a conceptual level.
Solo Exhibition inspired by couture fashion at the Aldo Castillo Gallery
10800 Corkscrew Rd.
Suite 195, Estero, FL
Patricia Schnall Gutierrez's solo exhibition "Love Me Now - Couture in Art" is about women's attire with an emphasis on haute couture. The show includes drawings and figurative paintings. On display, there are two large collage portrait drawings with actual clothing incorporated into the works. Schnall Gutierrez's charcoal drawings feature large iconic female dresses, while her oil paintings reflect on fashion houses and season collections. Her oil paintings, entirely abstract and without a hint of the female figure, bring fashion to a conceptual level.
SEE MORE
Image: Blue, an RPM Project
REMEMBER ME, Solo exhibition at Burchfield Penney Museum
"Sleepwalk" detail
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
FEMALE FIGURATIVELY, Seven international women artists at OMSA Gallery
Image: Visiting Manet's Beach
OMSA Gallery
Featuring the work of 7 international women artists
15661 Sheridan St.
Fort Lauderdale, FL
"The show includes brand new and recent works by Sofia Balut Paéz, Marina Font, Heidi Lanino, Amy Laskin, Veronica Pasman, Julia Rivera and Patricia Schnall Gutierrez in what is a poignant and shared narrative, a herstory that speaks to all of us on the ways that are uniquely female. Something in each of their oeuvre that is a peaceful resilience, a loving out loud, a silent certitude of who they are in their own skin. There are tones that reference classical Greco-Roman notion of beauty and gradually deconstructs into a contemporary vernacular." Miami Living
OMSA Gallery
Featuring the work of 7 international women artists
15661 Sheridan St.
Fort Lauderdale, FL
"The show includes brand new and recent works by Sofia Balut Paéz, Marina Font, Heidi Lanino, Amy Laskin, Veronica Pasman, Julia Rivera and Patricia Schnall Gutierrez in what is a poignant and shared narrative, a herstory that speaks to all of us on the ways that are uniquely female. Something in each of their oeuvre that is a peaceful resilience, a loving out loud, a silent certitude of who they are in their own skin. There are tones that reference classical Greco-Roman notion of beauty and gradually deconstructs into a contemporary vernacular." Miami Living
DRAWING AND PAINTING, Solo exhibition at Blackship Gallery
Image: In-flight Highlighting work for Miami Art Week at Black Ship Gallery, 853 NE 79th St. Miami, FL
Capturing the essence of being female though the prism of intrigue and humor, Schnall Gutierrez offers a fresh perspective on the narratives that shape women's lives. Her paintings and drawings in this exhibition exemplify her feminine-based approach to viewing and describing the world.
Capturing the essence of being female though the prism of intrigue and humor, Schnall Gutierrez offers a fresh perspective on the narratives that shape women's lives. Her paintings and drawings in this exhibition exemplify her feminine-based approach to viewing and describing the world.
LOVE ME NOW, Solo exhibition at Aldo Castillo Gallery
Image: Dress Her in Pink
Solo Exhibition inspired by couture fashion at the Aldo Castillo Gallery
10800 Corkscrew Rd.
Suite 195, Estero, FL
Patricia Schnall Gutierrez's solo exhibition "Love Me Now - Couture in Art" is about women's attire with an emphasis on haute couture. The show includes drawings and figurative paintings. On display, there are two large collage portrait drawings with actual clothing incorporated into the works. Schnall Gutierrez's charcoal drawings feature large iconic female dresses, while her oil paintings reflect on fashion houses and season collections. Her oil paintings, entirely abstract and without a hint of the female figure, bring fashion to a conceptual level.
Solo Exhibition inspired by couture fashion at the Aldo Castillo Gallery
10800 Corkscrew Rd.
Suite 195, Estero, FL
Patricia Schnall Gutierrez's solo exhibition "Love Me Now - Couture in Art" is about women's attire with an emphasis on haute couture. The show includes drawings and figurative paintings. On display, there are two large collage portrait drawings with actual clothing incorporated into the works. Schnall Gutierrez's charcoal drawings feature large iconic female dresses, while her oil paintings reflect on fashion houses and season collections. Her oil paintings, entirely abstract and without a hint of the female figure, bring fashion to a conceptual level.
SEE MORE
Image: Blue, an RPM Project