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Art Miami 2024
OMSA Gallery Booth 334 "Maternal 1"," Maternal 2"Charcoal on arches rives paper
Paintings - 2024
"Goddesses Dance", 72 x 84 in. "And then she Applied Lipstick" 48 x 36 in.
The Package Project
Ongoing Interactive Performance Project
Art Miami 2024
OMSA Gallery Booth 334 "Maternal 1"," Maternal 2"Charcoal on arches rives paper
1/15
Current Exhibitions
REMEMBER ME, Solo exhibition at Burchfield Penney Museum
"Sleepwalk" detail
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
ART MIAMI 2024
OMSA Gallery
Booth #334
Maternal Embrace Series
Booth #334
Maternal Embrace Series
ARTISTS ARE PRESENT
Pinecrest Gardens
Video still
RPM Projects (Rhonda Mitrani, Patricia Schnall Gutierrez, Marina Font)
Video still
RPM Projects (Rhonda Mitrani, Patricia Schnall Gutierrez, Marina Font)
EBB & FLOW
The Frank Pembroke Pines
11/21/24 - 2/22/25
RPM Projects
11/21/24 - 2/22/25
RPM Projects
UTOPIA - MITTE PROJECTS
12/3/24 - 12/8/24
Miami Art Week
Miami Art Week
OMSA GALLERY Anniversary Exhibition
November 2024 - January 2025
Image: "Pastel Eye Shadow"
48 x 36 in.
Image: "Pastel Eye Shadow"
48 x 36 in.
SEE MORE
IMAGE:
"Missing"
installation view
"Missing"
installation view
REMEMBER ME, Solo exhibition at Burchfield Penney Museum
"Sleepwalk" detail
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
ART MIAMI 2024
OMSA Gallery
Booth #334
Maternal Embrace Series
Booth #334
Maternal Embrace Series
ARTISTS ARE PRESENT
Pinecrest Gardens
Video still
RPM Projects (Rhonda Mitrani, Patricia Schnall Gutierrez, Marina Font)
Video still
RPM Projects (Rhonda Mitrani, Patricia Schnall Gutierrez, Marina Font)
EBB & FLOW
The Frank Pembroke Pines
11/21/24 - 2/22/25
RPM Projects
11/21/24 - 2/22/25
RPM Projects
UTOPIA - MITTE PROJECTS
12/3/24 - 12/8/24
Miami Art Week
Miami Art Week
OMSA GALLERY Anniversary Exhibition
November 2024 - January 2025
Image: "Pastel Eye Shadow"
48 x 36 in.
Image: "Pastel Eye Shadow"
48 x 36 in.
SEE MORE
IMAGE:
"Missing"
installation view
"Missing"
installation view
REMEMBER ME, Solo exhibition at Burchfield Penney Museum
"Sleepwalk" detail
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
ART MIAMI 2024
OMSA Gallery
Booth #334
Maternal Embrace Series
Booth #334
Maternal Embrace Series
ARTISTS ARE PRESENT
Pinecrest Gardens
Video still
RPM Projects (Rhonda Mitrani, Patricia Schnall Gutierrez, Marina Font)
Video still
RPM Projects (Rhonda Mitrani, Patricia Schnall Gutierrez, Marina Font)
EBB & FLOW
The Frank Pembroke Pines
11/21/24 - 2/22/25
RPM Projects
11/21/24 - 2/22/25
RPM Projects
UTOPIA - MITTE PROJECTS
12/3/24 - 12/8/24
Miami Art Week
Miami Art Week
OMSA GALLERY Anniversary Exhibition
November 2024 - January 2025
Image: "Pastel Eye Shadow"
48 x 36 in.
Image: "Pastel Eye Shadow"
48 x 36 in.
SEE MORE
IMAGE:
"Missing"
installation view
"Missing"
installation view
REMEMBER ME, Solo exhibition at Burchfield Penney Museum
"Sleepwalk" detail
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
ART MIAMI 2024
OMSA Gallery
Booth #334
Maternal Embrace Series
Booth #334
Maternal Embrace Series
ARTISTS ARE PRESENT
Pinecrest Gardens
Video still
RPM Projects (Rhonda Mitrani, Patricia Schnall Gutierrez, Marina Font)
Video still
RPM Projects (Rhonda Mitrani, Patricia Schnall Gutierrez, Marina Font)
EBB & FLOW
The Frank Pembroke Pines
11/21/24 - 2/22/25
RPM Projects
11/21/24 - 2/22/25
RPM Projects
UTOPIA - MITTE PROJECTS
12/3/24 - 12/8/24
Miami Art Week
Miami Art Week
OMSA GALLERY Anniversary Exhibition
November 2024 - January 2025
Image: "Pastel Eye Shadow"
48 x 36 in.
Image: "Pastel Eye Shadow"
48 x 36 in.
SEE MORE
IMAGE:
"Missing"
installation view
"Missing"
installation view
REMEMBER ME, Solo exhibition at Burchfield Penney Museum
"Sleepwalk" detail
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
Solo Exhibition retrospective at the Burchfield Penney Museum
May 10 - October 27. 2024 1300 Elmwood Ave. Buffalo, NY
Memories, like identities, are hardly ever linear and absolute. Rather, they are nuanced, imperfect, and layered. We experience a myriad of personal and social influences that help shape and reshape our identities over time. Multidisciplinary artist Patricia Schnall Gutierrez considers how disjointed memories inform identity and broader perceptions of femininity. Remember Me interrogates imposed roles of femininity while infusing the artist’s narratives as a woman, artist, mother, and wife.
The artist mines histories, acknowledging how the past informs the present to create what she considers “a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.” Fragmentation is a continuous theme as Schnall Gutierrez ponders the relationship between material, form, and outcome.
References to domestic chores throughout her work address the underlying strain of traditional feminine roles and the experiences they entail. Erased in the Wash (2013), which combines a sprawling 200-foot washing machine hose with audio of water luring the viewer to “come closer,” is one such example. Fabrics are another recurring motif that nods to the history of textiles as an integral part of women’s labor. Sleepwalk (2013) illustrates the “restless dream of a midlife housewife” projected on folded sheets. Turning inward, she signals tension between her roles as a wife and mother and as an artist, and the loss of self under the pressure of fulfilling both external duties and internal passions in the series Self Portraits with Polka Dots (2012).
Schnall Gutierrez’s practice recognizes and moves fluidly beyond imposed constructions of femininity. Whether these assumed and imposed roles are critiqued or embraced, fostering a dialogue that allows for a multitude of voices to be affirmed is vital. Power lies in asserting space for women to define and honor the unique experiences that shape their lives on their terms. As contemporary threats to women’s autonomy continue to loom, such conversations remind us of the progress made toward all people’s equity and what is at stake, making them more necessary than ever.
ART MIAMI 2024
OMSA Gallery
Booth #334
Maternal Embrace Series
Booth #334
Maternal Embrace Series
ARTISTS ARE PRESENT
Pinecrest Gardens
Video still
RPM Projects (Rhonda Mitrani, Patricia Schnall Gutierrez, Marina Font)
Video still
RPM Projects (Rhonda Mitrani, Patricia Schnall Gutierrez, Marina Font)
EBB & FLOW
The Frank Pembroke Pines
11/21/24 - 2/22/25
RPM Projects
11/21/24 - 2/22/25
RPM Projects
UTOPIA - MITTE PROJECTS
12/3/24 - 12/8/24
Miami Art Week
Miami Art Week
OMSA GALLERY Anniversary Exhibition
November 2024 - January 2025
Image: "Pastel Eye Shadow"
48 x 36 in.
Image: "Pastel Eye Shadow"
48 x 36 in.
SEE MORE
IMAGE:
"Missing"
installation view
"Missing"
installation view
Work
PAINTING
MIXED MEDIA
FILM - MULTIMEDIA
DRAWING
INSTALLATION
PROJECTS
PAINTING
MIXED MEDIA
FILM - MULTIMEDIA
DRAWING
INSTALLATION
PROJECTS
PAINTING
MIXED MEDIA
FILM - MULTIMEDIA
DRAWING
INSTALLATION
PROJECTS